
Preset
Multicam: one take, every angle
Shoot one locked-off take and get the coverage back: every angle you pick as its own full-length clip in sync with your original sound, plus a highlight edit cut between them.
- Best for
- Music videos, dialogue scenes, premium ads, fashion films, dance and interviews shot on one camera
- Output
- Video
- Time
- A few minutes
- Credits
- Priced on the Generate button
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350 free credits when you create an account, no card required. You land right in the Multicam composer, ready to run.
How to use it
In the Agent, these are the questions NOLGIA asks, one at a time. The Multicam composer puts it all on one screen.
Your take
Add one video from your device or your Library. One locked-off shot, the master, with the sound you want to keep. Every angle comes back as its own clip of the whole take.
Which angle first?
Pick one. Open Multicam for every angle at once, the packs and your own angles.
- Low angle
- Extreme close-up
- Profile
- Overhead
- Wide
- Orbit
Create
One press of Create makes your video and saves it to your Library. The price is on the button, and nothing runs until you press it. It takes a few minutes.
About this preset
Multicam turns one locked-off take into the coverage you would have shot with more cameras. Add your take, let the scan find the cuts, pick a pack of angles or build your own, and press Generate.
Every angle, full length. Each angle you pick comes back as its own clip of the whole take, in sync with it and carrying your original sound, so the clips line up in any editor like cameras that rolled together. Download them all at once, or open them in Studio stacked over the original.
Plus a highlight edit. Multicam cuts between your angles on the take's own sentences and moves, over your original sound. It is made from your clips, so it is free.
Add an angle later. Pick more of ours or describe your own, and it renders from the same take so it lines up with the rest.
Packs for music videos, dialogue scenes, premium ads, fashion films, dance and interviews. The price for every angle at full length is on the Generate button before anything runs.
Use cases
- A music video from one performance take: low angle hero, extreme close-up, orbit and overhead
- Dialogue coverage from one wide: both close-ups, the reverse over the shoulder and an insert
- A premium ad from one product shot: macro detail, overhead, orbit and a low hero angle
- A fashion film or a dance piece with the angles a second and third camera would have caught
- A B-cam and close-ups for an interview shot on one camera
Examples
Made with this preset, with the prompt behind each one. Use this example opens the Multicam composer with that example's own files and settings loaded. Nothing runs until you press Generate.
Auto pack on a 12 second take of a singer at the mic: Multicam read the scan and dealt a medium, a close-up, a low angle and a wide across the cuts, then cut them over her own sound. Every angle also came back as its own full-length clip. The singer is fictional.
Settings: Auto pack, Seedance 2.5 at 720p, one 12.064 s locked-off take, 4 angles rendered full length (Medium, Close-up, Low angle, Wide), highlight cut list 00:00 Medium / 00:03.1 Close-up / 00:06.3 Low angle / 00:09.4 Wide (end 00:12.1).
Music video pack on the same 12 second singer take: a wide, a low angle, an extreme close-up, an orbit, a slow arc and an overhead, cut over her own sound. Each angle also came back as its own full-length clip. The singer is fictional.
Settings: Music video pack, Seedance 2.5 at 720p, one 12.1 s locked-off take, 6 angles rendered full length (Wide, Low angle, Extreme close-up, Orbit, Slow arc, Overhead), highlight cut list 00:00 Wide / 00:01.6 Low angle / 00:03.1 Extreme close-up / 00:06.3 Orbit / 00:07.9 Slow arc / 00:09.4 Overhead (end 00:12.1). The slow arc was asked for as a dolly zoom and is labelled by what came back.
Scene coverage pack on an 8 second take in a diner at night: the wide, her close-up, the key, the reverse over her shoulder and his close-up, cut on the dialogue. Both characters are fictional.
Settings: Scene coverage pack, Seedance 2.5 at 720p, one 8 s locked-off take, 5 angles rendered full length (Wide, Close-up A, Close-up B, Over the shoulder, Insert), highlight cut list 00:00 Wide / 00:01.7 Close-up A / 00:03.7 Insert / 00:05.3 Over the shoulder / 00:06.6 Close-up B (end 00:08).
Premium ad pack on an 8 second take of hands setting a crystal perfume bottle on a marble plinth in smoke: the edit holds the master through the placement, then cuts to a high overhead looking down on the bottle as the hands leave. Hands and bottle are generated.
Settings: Premium ad pack, Seedance 2.5 at 720p, one 8 s locked-off take, 6 angles rendered full length (asked for: Macro detail, Slow push-in, Orbit, Overhead, Insert, Low angle), highlight cut list as asked 00:00 Macro detail / 00:02 Slow push-in / 00:03.5 Orbit / 00:05.2 Overhead (end 00:08). What came back: only the overhead is a second camera. On this product take the macro detail, slow push-in, orbit, insert and low angle kept the master's framing (the macro, push-in and orbit were re-rolled once each and kept it again), so the edit's first 5.2 s are the master.
Fashion film pack on an 8 second take of a model in an ivory sculptural top as colour powder bursts behind her: it opens on the master, then her profile, a low wide, a macro on the garment and a push-in to her face, over the take's sound. The model is fictional.
Settings: Fashion film pack, Seedance 2.5 at 720p, one 8 s locked-off take, 5 angles rendered full length (Wide, Profile, Low angle, Macro detail, Slow push-in), highlight cut list 00:00 Wide / 00:02.2 Profile / 00:04 Low angle / 00:06 Macro detail (end 00:08). The wide came back as the master's own framing and is labelled by what came back; the low angle came back as a low wide.
Performance or dance pack on a 6.5 second take of a dancer in a smoky warehouse: the master for the opening moves, then a cut to an overhead straight down on the routine as the dust flies. Every angle also came back as its own full-length clip. The dancer is fictional.
Settings: Performance or dance pack, Seedance 2.5 at 720p, one 6.5 s locked-off take, 5 angles rendered full length (Wide, Low angle, Overhead, Orbit, Handheld drift), highlight cut list 00:00 Wide / 00:02.2 Low angle / 00:04 Overhead (end 00:06.5). The wide, the low angle and the orbit came back as the master's own framing and are labelled by what came back; the handheld drift is a real follow but the edit's stretches were too short to cut it in.
Interview or doc pack on an 8 second take of a music producer on a leather sofa: the A-cam medium, a three-quarter B-cam, his close-up, a second medium and the wide, cut on his sentences. The producer is fictional.
Settings: Interview or doc pack, Seedance 2.5 at 720p, one 8 s locked-off take, 5 angles rendered full length (Medium, Profile, Close-up, Over the shoulder, Wide), highlight cut list 00:00 Medium / 00:02 Profile / 00:03.5 Close-up / 00:05 Over the shoulder / 00:06.5 Wide (end 00:08). The profile came back as a three-quarter and the over-the-shoulder as a second medium; both are labelled by what came back.
Suggest directions for me
Say what you are making it for and NOLGIA suggests a few directions for Multicam: one take, every angle, each with a prompt and the options it sets. Nothing is generated until you use one.
Models it uses
The model NOLGIA Agent reaches for on this preset. Sign in to see live credit costs and capabilities from the model catalog.
Seedance 2.5
video- Credits per generation
- 56 credits per 5s clip
Runs inside the Multicam composer.
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